Compassion, a possession I do not obtain
I belong to no-one
Just a lost soul with nothing to live for
I once had a friend, but now she lives in pain
She belongs to only me
I have nothing to live for any more
Sympathy, I have never known
I belong to my own sorrow
I once had a lover, but she lies alone
She belongs to only me
And I shall not see tomorrow
I guess it was I who mudered her
But she was most deserving
My suffering shall show me the way of murder
I shall lick my wounds
And clean the dirt out of me
With my knife in my hand, and blood from my eyes
I walk along this lonely valley
With my heart split open and empty inside
I wander through this emptiness
That has taken so much out of me
supported by 7 fans who also own “Constant Suffering”
Late 90's BM worship, but it's also a lil more than that. This album takes the best elements from the scene it's inspired by and mostly avoids the worst of it; the song-writing is well-written, it's performed with passion and fun, and the production is raw but isn't lo-fi. (i.e. it doesn't obfuscate and/or suckass).
Tl;dr It's safe but high quality BM. Recommended. Rabbit
supported by 6 fans who also own “Constant Suffering”
Swirling guitars, furious drums, vocals that at the same time howl from infinite distance and are right up in your head; everything put into dissonant form with the help of unconventional songwriting. This album is my personal key to the icelanding black metal madness that I've ignored for way too long! Lukas Kaufmann
Featuring members of Noothgrush, Graves at Sea, and more, the Oakland metal band juxtapose cavernous doom with spaced-out shoegaze. Bandcamp New & Notable Mar 21, 2024
supported by 5 fans who also own “Constant Suffering”
Tout est une question de perspective.
En regardant la pochette d'Algleymi, on se dira : "c'est un constat d'échec de l'humanité face aux puissances cosmiques". Mais le gigantisme de cette silhouette est un signe que Misþyrming veut plutôt s'emparer de cette puissance et le black metal le confirmera très vite. Il est plus maîtrisé, massif et épique. Si le chant est déjà impressionnant, dégageant plus de haine, les guitares sont de leur côté absolument monumentales. Un chef-d'œuvre du genre ! Jordan Vauvert